Jaspreet Singh, and I mean this in the nicest way possible, does mahaul comedy—atmospheric humour.

There’s a breeziness to his excellent new special Koi Load Nahi that reminds viewers of what comedy really

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comedy will have lofty ambitions that deviate from (or add to) this golden principle

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Sometimes, inadvertently, it ends up being slapworthy. At others, it may feel politically audacious, or even play around with form.

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A carefree effortlessness underpins Jaspreet Singh’s words as he remarks early on: “Jab se naukri chhodi hai, zindagi mein haraamkhoriyaan chhaa rakhi hain.”

[{"selector":"#anim-fa7e88f7-f213-42d1-9db9-9d7cc9f6ff26 [data-leaf-element=\"true\"]","keyframes":{"transform":["translate(0%, 0%) scale(1.5)","translate(0%, 0%) scale(1)"]},"delay":0,"duration":2000,"easing":"cubic-bezier(.3,0,.55,1)","fill":"forwards"}] Read more

His matter-of-fact delivery sets up a tangential segue into an uproarious section with a battery of quips, throwaways, punchlines.

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For the next few minutes, Singh talks—acting increasingly more animated—about his doorbell, and the many ways it makes his life hell.

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sleeping through the day while his wife goes to work, he’s constantly disturbed by the bell and it’s driving him nuts.

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The writing is masterful, and his casual embrace of self-delusion, escalating farce, and self-deprecation

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The special doesn’t have a clear theme tying everything together.

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Jaspreet Singh, and I mean this in the nicest way possible, does mahaul comedy—atmospheric humour.

Jaspreet Singh, and I mean this in the nicest way possible, does mahaul comedy—atmospheric humour.

There’s a breeziness to his excellent new special Koi Load Nahi that reminds viewers of what comedy really

There’s a breeziness to his excellent new special Koi Load Nahi that reminds viewers of what comedy really

comedy will have lofty ambitions that deviate from (or add to) this golden principle

comedy will have lofty ambitions that deviate from (or add to) this golden principle

Sometimes, inadvertently, it ends up being slapworthy. At others, it may feel politically audacious, or even play around with form.

Sometimes, inadvertently, it ends up being slapworthy. At others, it may feel politically audacious, or even play around with form.

A carefree effortlessness underpins Jaspreet Singh’s words as he remarks early on: “Jab se naukri chhodi hai, zindagi mein haraamkhoriyaan chhaa rakhi hain.”

A carefree effortlessness underpins Jaspreet Singh’s words as he remarks early on: “Jab se naukri chhodi hai, zindagi mein haraamkhoriyaan chhaa rakhi hain.”

His matter-of-fact delivery sets up a tangential segue into an uproarious section with a battery of quips, throwaways, punchlines.

His matter-of-fact delivery sets up a tangential segue into an uproarious section with a battery of quips, throwaways, punchlines.

For the next few minutes, Singh talks—acting increasingly more animated—about his doorbell, and the many ways it makes his life hell.

For the next few minutes, Singh talks—acting increasingly more animated—about his doorbell, and the many ways it makes his life hell.

sleeping through the day while his wife goes to work, he’s constantly disturbed by the bell and it’s driving him nuts.

sleeping through the day while his wife goes to work, he’s constantly disturbed by the bell and it’s driving him nuts.

The writing is masterful, and his casual embrace of self-delusion, escalating farce, and self-deprecation

The writing is masterful, and his casual embrace of self-delusion, escalating farce, and self-deprecation

The special doesn’t have a clear theme tying everything together.

The special doesn’t have a clear theme tying everything together.

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